erin m riley interview

I am super excited for the opportunity to chat with you a little bit! Erin M Riley: Ok, I am Erin M Riley, I grew up in Massachusetts, went to art school at Massachusetts College of Art & Design and moved to Philadelphia once I was accepted at Tyler School of Art for grad school, and for now Philadelphia is where I make my art. But, I spent most of graduate school trying to figure out how to make mixed media tapestries, dipping, burning, soaking, using many gallons of stuff you buy at Home Depot but inevitably evolved into weaving hand dyed wool tapestries on a floor loom. Erin Riley‘s work is a perpetual fusing of the virtual and the real. Do you do commission work and, if so, how do you approach a piece like that? Where is the role of craftwork in fine art? This March, examining themes of ritual and addiction, Erin M. Riley and Lucien Shapiro set forth a dialog constructed through personal narrative and contemporary craft at Hashimoto Contemporary in San Francisco. Most of my questions are quite critical, I think. Do you consider yourself an artist and do you think a title such as ‘artist’ is beneficial or restrictive? I still had a few days left in the city, so I caught up with this extremely talented and humble artist at her studio in Brooklyn where she basically spends an insane amount of hours buried under tons of wool and cotton. I actually wove a lot of text, large areas of empty where the hand of the weaver is shown, with large block text but was soon challenged to create tapestries and was sourcing imagery from my childhood. April 9, 2013. Tomorrow night (May 7th) at Joshua Liner Gallery in New York, Erin M. Riley (interviewed) will be opening a solo show entitled Darkness Lies Ahead.Recently acquiring a two person loom which she is using herself has allowed the Brooklyn-based artist to take her work to a whole new level with her largest works to date – over eight feet wide. Blam! Are there any topics that are ‘off-limits’ to you? I am continuing a series of large works (243 x 243cm) that I started this year and hope to show some of them in 2016. We're community-driven. Brilliant Champions is located at 5 Central Ave. in Brooklyn, where you should be before the show closes on July 26. Your email address will not be published. Erin is a recent graduate of Indiana University - Bloomington. Chauntrice Riley-Stanford joined Pre-Health and Pre-Law Advising in April 2016. I was interested in sewing and painting, and the fibers major was something that sat perfectly between those two. Textile artist Erin M Riley weaves internet-native images of women in various states of undress, presenting themselves in sexualized display, and in … From painters to photographers to poets, the voice of our moment is often told most aptly and timelessly through what they create. Established in 2011 in Seoul, South Korea. Just because something connotes “something a lady does” does not make it negative, that is just the misogyny of the art world in play. What are your thoughts on our current culture that stigmatizes menstruation and other natural female functions? In grad school, this was a conversation that killed the “crafts department,” which I was part of. I always found it frustrating to balance “being sexy” with “bleeding for 5-7 days a month,” so it suits me better to bring it all out in the open. It was an ongoing and boring conversation about Art VS Craft. This is also true for many of the galleries I show at, tapestries aren’t hung like paintings, hand woven pieces don’t tend to be level which can be visually annoying. Great Fire of London: 120m replica of London skyline burned. My work and the girls I present are all embedded with my narrative and therefore most of my work can be seen as a modicum of me. Strangers? Interviews / Preview: Antony Micallef – “Becoming Animal” @ Lazarides London, Interviews – Justseeds (including Swoon & Chris Stain). I travel around the country to residency programs when I get the opportunity and exhibit all over. I mainly watch girl on girl adult movies because the likelihood of them doing something that is actually pleasurable to a woman is higher, although there is so much that is just meant to excite men. I am interested in the desire to be objectified/respected/desired/equal. I am quite keen to do an interview with her, so I got in touch with them, and their founder gave me a call this afternoon Most visited arts non-profit online. As a woman, I feel like I have a responsibility to educate myself on misogyny, feminism, and the sex industries that I engage with. Joining forces in a mutual exhibition, Erin M. Riley and Lucien Shapiro battle their inner demons side by side. And it's just one of the risqué pieces that Philadelphia-based fiber artist Erin M. Riley has churned out in the past few years. Erin M Riley: This work is a combination of reflections on past relationships, experiences I have had as well as those of women who reflect the women around me and their experiences. I have had conversations about cum and blow jobs with women who might never broach those subjects with their own kids, and I have talked about sexting and the images teens take with a father and his two obviously sexually active kids. Masters of their own respective techniques, their aligned work complements each other well, connecting easily with the viewers. I was taking them or asking old boyfriends for theirs and presenting tapestries of myself alongside the other women to see how I felt, like could I go through with making these pieces public. © 2012 Arrested Motion LTD. All Rights Reserved. EMR: I had been using mostly sourced images for a few years but had a residency with 3 months of solid work time allotted so I started collecting pictures of myself. Most things in fine art are made by hand; we all develop our craft and mediums in various ways. AM: We assume that when you first took up weaving, you started out with creating the more traditional imagery that was associated with the craft. Weaving is just another way to arrange color on a 2-dimensional surface. What drew us to her tapestries in particular is her use of unconventional imagery, which bridges the gap between traditional techniques and contemporary issues that affect youth today. The same goes for Erin M. Riley. Thanks so much! On the one hand, it is not as commonly collected by people we know, but then again, what you do is pretty unique. At art college she soon discovered the loom room and weaving seemed to be the perfect technique to make fine art using a textile technique. Nowadays, we are much more comfortable self-publishing photographs of ourselves or sending photographs to partners; we are aware of how to take the most flattering photograph and are generally implicit in the sharing. Jessica Ross. EMR: Yes actually, you can look for my work at Paradigm Gallery in Philadelphia, August 30th, in September at Joseph Gross Gallery, University of Arizona and Bryan Ohno Gallery, Seattle, WA. She has taken a look at both her own and the collective consciousness of the individuals of today and laid what she sees for all to witness. Sister Corita Kent's Rules For Creatives - Why they matter today, Damien Hirst's Spot Paintings - Trivial or inspiring? Elephant isn't just a big web site. Critically, I would say that your work with adult images comes from a place that further upholds the ‘male gaze’. Its all opinion, elders in the craft world who are scared of becoming irrelevant are hung up on staying in this royalty position in which “time spent” gives you “street cred.” Young people today are coming across textiles, ceramics, jewelry, etc. Is this intentional or a comment or something else? Tapestry allows images to be given more time, for hookups to gel, for mistakes to be thought over, its a way to over analyze every detail. The adult stuff is another level, but the only time I got grounded in life was for calling sex hotlines in middle school, so it’s all there if you put the pieces together. The other women I wove always had felt like reflections of myself, but after I had gone down the road of weaving myself nude, weaving my tattoos and my breasts many different times, these girls were me. How do you feel about people relegating weaving to craftwork? These eventually led me to combine the two, making simple drawings that I translated into tapestry using a very limited color palette. I travel around the country to residency programs when I get the opportunity and exhibit all over. Historically tapestry is woven side to side, but I weave bottom to top. Do you â¨get any negative feedback from people around you? Your email address will not be published. How did the transition come about? But maybe in the future. Your worst habit: I work from images, so I collect or take photos for an upcoming piece, blow it up to scale, and start a line drawing that will be pinned behind the warp on the loom. People hate dealing with hard subjects. I learned “tapestry” early on and was weaving abstract pieces while also making lots of paper collage work out of found and family photographs that used the silhouette a lot. Some people jump around; other people use the same medium forever. She has taken a look at both her own and the collective consciousness of the individuals of today and laid what she sees for all to witness. As soon as she learned sewing, Erin Riley became instantly hooked on everything to do with textiles. I am an image-maker. There are topics that are really difficult that I want to work with but don’t think I could emotionally handle working with for days at a time. It truly sucks growing up surrounded by denial and naÃ¯vetÃ©, especially when it comes to drug addiction, criminal behavior and the like. Erin M. Riley is an artist who’s truly committed to portraying women’s sexuality and issues. Why did Michael Lin install a complete house on a roof in Shanghai? Is there a better reflection of a culture than the creatives living in it? She used to tell me to change my website, so people didn’t have to see fellatio or sperm, but I don’t think she looks anymore. I particularly like your latest tapestry with the bloody tampons. AM: Any projects or upcoming shows that you can share with our readers? Born in 1985 in Brooklyn, where she still resides, Erin specializes in tapestry, the art of weaving. Erin Riley’s work is vibrant, violent, beautiful, sad but above all honest. I'm a husband, father, brother, stranger, friend, actor and director. She took some time out of her busy schedule to conduct this exclusive interview with us. My friend Mickey told me that his friend, artist Erin M. Riley gave it to him and I should meet her and check out her work. Interview: Can you tell us a little bit about you and your family Jesse: I've been married for 8 years (my wife and I have been together for 9), with 3 children. Erin M Riley is a Philadelphia-based artist whose chosen medium is weaving, something that has not been covered much here on AM. If this was true, did you have an eureka moment where you turned to more provocative subjects? I had been collecting "party girl" pictures for a while but then started getting really disillusioned and was looking for more personal imagery. Sexuality is something in which our roles are often turned on their heads. Based in Brooklyn, Riley transforms found imagery from the Internet into meticulous hand-woven tapestries. (NSFW), Interview: Andrew Beccone - How a library turned into an artwork. I am also constantly sharing my process on Instagram as erinmriley. Sure, on a base level, all of my work lends itself to those things, but that is not the intention. Why do you choose using images of guns and adult movies rather than flowers or other imagery traditionally seen in tapestry? Her textiles are undeniably interesting commentary on today's heavily instagramed sex, drugs, and mostly-dubstep youth culture. Most recently, he had a recurring role in the second season of Arrow. " ... She is also an ambassador for the Australian Indigenous Alpine Sport Foundation. So much about being a woman is hidden. There is a certain warming up a buyer has to do to commit. Erin M. Riley – Loot 5, 2012, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 66 cm, Erin M. Riley – Pure Hell, 2011, Hand woven tapestry, hand dyed wool on a cotton warp, 104.1 x 66 cm, Erin M. Riley – Loot 8, 2013, Hand woven tapestry, hand dyed wool on a cotton warp, 58.4 x 48.3 cm, Erin M. Riley – Loot 9, 2015, Hand woven tapestry, hand dyed wool on a cotton warp, 61 x 45.7 cm. Which I was taking for the opportunity to chat with you erin m riley interview topic or specific image to! Commentary on today 's heavily instagramed sex, drugs, erin m riley interview the Bishop Gallery in,... Your worst habit: as soon as she learned sewing, Erin specializes in?! Spot paintings - Trivial or inspiring to object status roof in Shanghai 1, 2012, sexual.... 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